team

Carmen Martín-Luquero

Carmen Martín-Luquero Rodríguez (Valladolid, 1998) holds a degree in Art History from the Universidad Complutense de Madrid, a Master in Social Sciences from the Université Paris 8 Vincennes-Saint-Denis (Master Mondes méditerranéens en mouvement) and from the École des Hautes Études en Sciences Sociales (Master Arts, littératures et langages). She currently holds the JAE Intro grant from the CSIC, which she is developing under the supervision of Jaime Vindel in the training programme "(Post)fossil culture: socio-cultural imaginaries, global warming and energy transition". Within the framework of this programme, her research focuses on the study of the intersection between energy imaginaries, the cultural construction of water landscapes and developmentalist economic policies. 
Jaime Vindel

European PhD in Art History and Master in Philosophy and Social Sciences. Researcher of the Ramón y Cajal Grants Programme (2018) of the Institute of History of the Spanish National Research Council, where he is Head Researcher of the projects: "Fossil Aesthetics: a political ecology of art history, visual culture and cultural imaginaries of modernity" (PIE, ref. 202010E005), “Energy humanities. Energy and sociocultural imaginaries between the industrial revolutions and the ecosocial crisis” (PID2020-113272RA-I00, ENERGEHUM) and “(Post)fossil culture: socio-cultural imaginaries, global warming and energy transition (KULTUR(P)FOSSIL, CNS2023-143774)”. He was coordinator of the "Cultural Ecologies" contents block of the Independent Studies Programme of the Museum of Contemporary Art of Barcelona (2017-2018 and 2019-2020 editions) and is the author of books such as Cultura fósil. Arte, cultura y política entre la Revolución industrial y el calentamiento global (Akal, 2023) Estética fósil. Imaginarios de la energía y crisis ecosocial (Arcadia, 2020), La Familia Lavapiés: arte, cultura e izquierda radical en la transición española (La...
Emilio Santiago

Emilio Santiago Muíño (Ferrol, 1984) holds a PhD in Social Anthropology from the Universidad Autónoma de Madrid. His doctoral thesis Opción Cero. Sostenibilidad y socialismo en la Cuba postsoviética dealt with the systemic transition in Cuba after the fall of the USSR from a political ecology point of view.  He is currently a senior scientist at the Department of Anthropology of the Institute of Language, Literature and Anthropology of the CSIC where he has opened a line of research on climate anthropology. His field of work is the ecological crisis, climate emergency and ecosocial transitions in their sociocultural dimension. Author of the essays No es una estafa es una crisis de civilización (Enclave 2015), Rutas sin mapa, horizontes de transición ecosocial (Catarata essay prize 2015), Opción Cero, el reverdecimiento forzoso de la Revolución cubana (Catarata FUHEM, 2017) and ¿Qué hacer en caso de incendio? Manifiesto por el Green New Deal, co-written with Héctor Tejero (Capitán Swing, 2019). He has also...
César Rendueles

César Rendueles is a tenured scientist at The Spanish National Research Council (CSIC) and Professor of Sociology at Complutense University of Madrid, Spain. His research interests lie in political philosophy, sociological theory and epistemology. He is the author of Sociophobia: Political Change in the Digital Utopia (2013), Capitalismo Canalla (2015), Contra la Igualdad de Oportunidades: Un Panfleto Igualitarista (2020) and The commons (2023).
Cara Daggett

Cara Daggett is an assistant professor of political science in the Department of Political Science at Virginia Tech. Her research explores the politics of energy and the environment in an era of planetary disruption. She is interested in questions that lie at the nexus of human well-being, science, technology, and the more-than-human world. Her work often draws upon feminist approaches to power in order to understand how global warming emerged, as well as how it might be mitigated. Daggett’s book, The Birth of Energy: Fossil Fuels, Thermodynamics, and the Politics of Work (Duke, 2019), was awarded the Clay Morgan Award for best book in environmental political theory. The Birth of Energy traces the genealogy of energy back to the nineteenth-century science of thermodynamics to challenge the underlying logic that informs today’s uses of energy. The book argues that only by transforming the politics of work — most notably, the veneration of waged work — will we be able to confront...
Jesús Raúl Navarro García

PhD in Contemporary History, he graduated in Geography and History from the universities of Seville and Zaragoza. His interest in cross-cutting historical issues led him to train in landscape management, protection and planning. From the beginning of his scientific career at the University of Seville and the CSIC, he has dealt with several topics linked to the role of liberalism in Spanish colonial policy in Puerto Rico, as well as others related to hydraulic and sanitary policies in Spain in the 20th century, together with those related to thermal heritage. He created the Permanent Seminar Water, Territory and Environment, within which the journal Agua y Territorio was founded in 2013, of which he is editor, and the collection Society and Social Sciences, Water and Environment series, both linked to the University of Jaén. He belongs to the group of the Junta de Andalucía GIEST (Estructuras y Sistemas Territoriales) together with geographers from the University of Seville and Pablo de Olavide....
Adrián Almazán

PhD. in Philosophy. He graduated in Physics at the Universidad Autónoma of Madrid, alternating his scientific training with militancy in different libertarian collectives, spaces where he acquired a collective and autonomous polyethics training and met for the first time with the critique of progress and technology. From 2014 he embarked on academic training in philosophy at the hand of Jorge Riechmann, with whom he studied the Master in Criticism and Philosophical Argumentation and reached the degree of Doctor of Philosophy in 2018. This period coincides with his participation in the editorial collective of Ediciones el Salmón, a collective responsible for the publication of the journal Cul de Sac. Once that stage was over, he turned his militant work in Ecologistas en Acción, where he is one of the coordinators of the Digitalization and CEM Area, and in the collective La Torna. In the academic year 2020-2021 he was a professor of philosophy at the University of Deusto (Bilbao). Almazán has...
Fernando Arribas

He has a degree in Sociology and a PhD in Philosophy from the UNED. He is lecturer at the Department of Applied Economics I and History and Economic Institutions at the Rey Juan Carlos University of Madrid, where he teaches Economic History. He also teaches the subject "Fundamentals of Ecological Ethics" in the Master in Ecological Humanities, Sustainability and Ecosocial Transition at the Polytechnic University of Valencia and the Autonomous University of Madrid. His main lines of research are developed in the field of ethics and political philosophy, especially in relation to ecology and sustainability, as well as aesthetics, reflecting on the role that art and the aesthetic appreciation of nature play in the formation and development of ecological awareness. Some relevant publications are La evasiva neoliberal. El pensamiento social y político de Friedrich A. Hayek. Madrid: Centro de Estudios Políticos y Constitucionales, 2002. “Ecología, estética de la naturaleza y paisajes humanizados”. Enrahonar 53, 2014, pp. 77-91. “Belleza sin autoría: Una visión...
Iñaki Bárcena

Degree in Law (1980) and PhD in Social and Political Sciences (1990), currently hired as Full-time Professor (Professor in labor regime -May- 2012). He has worked as a professor and researcher at the University of the Basque Country since 1984, first in the Department of Public Law and International Studies and later in the Department of Political Science and Administration, where he was Director between 2009 and 2011. He has been visiting researcher-professor at the University of Bradford (School of Peace Studies-1986-87), Hamburg (Hochschule für Wirtschaft und Politik. Hamburg Universität 1996), and Nevada (EHU-USAC-Nevada University 1999). He is a member of the EKOPOL research team (25 researchers) of which he is coordinator and of the EMAN Research Training Unit (60 researchers) and collaborates in the Editorial Board of the journals Ecología Política, VIENTO SUR and ZER. In 1995 and 1996, he represented the Spanish environmental groups at the European Environmental Office in Brussels and remains in the schizophrenia of being...
Paula Barreiro

Head researcher of the international platform MoDe(s) and professor of Contemporary Art at the Art History Department of the of the Université Grenoble-Alpes/Laboratoire LARHRA UMR 5190. Since 2007 she has worked at several European research institutions and universities in France, the U.K., Switzerland and Spain, including the Institut National d´Histoire de l´Art [INHA] in Paris, the University of Liverpool, the Université de Genève and the Instituto de Historia of the Consejo Superior de Investigaciones Científicas [CSIC] in Madrid and, recently at the University of Barcelona (Ramón y Cajal programme). Her research focuses on art criticism, cultural networks and politics in Spain, Western Europe and Latin America during the Cold War as well as the diverse and divergent developments of modernity reflected in the art historic accounts within an increasingly globalised world. Her publications include the books Vanguardia y crítica de arte en la España de Franco, 2021; Atlantico Frío: Historias transnacionales del arte y la política en los tiempos del telón de acero, 2019 (sole editor); Avant-garde Art and Criticism in Francoist Spain,...
Gemma Barricarte

Gemma Barricarte (Pamplona, 1993) is a graduate in Architecture Studies by the Architecture School of Barcelona (ETSAB, Universitat Politècnica de Catalunya). She is currently studying a Master's degree in Interdisciplinary Studies of Environmental, Economic and Social Sustainability at the Institute of Environmental Science and Technology of Barcelona (ICTA- Universitat Autònoma de Barcelona) and she has studies in Fine Arts (Universitat de Barcelona). She has a long trajectory in environmental and student activism, having been part of Architecture Sens Frontières (ASF), Espai Social de Formació i Arquitectura (ESFA, UPC), Ecologistas en Acción, Fridays For Future (FFF) and the Xarxa per la Justícia Climàtica. She has published her essays and articles in the Universitat Politècnica de Catalunya, El País, Climática and CTXT and she is part of CTXT Editorial Board. She has also carried out diffusion of environmental and political issues doing radio interviews or giving numerous conferences at places such as the Universitat Internacional de la Pau (UNIPAU), the Universitat Politècnica de Catalunya or the Universitat...
Daniel Pérez Zapico

Daniel Pérez Zapico holds a Degree in History from the University of Oviedo (2009) and an European PhD in History from the University of Oviedo and in Histoire des Sciences et des Techniques from the Université de Versailles Saint-Quentin-en Yvelines (2016). He was a postdoctoral research fellow at the Centre for History and Philosophy of Science (CHPS) of the University of Leeds between 2018 and 2020, and since January 2022 he works as postdoctoral fellow at the Department of Contemporary History of the UAM. He has published in journals such as Historia Social, Écologie & Politique, Archives Internationales d'Histoire des Sciences (ARIHS), History and Technology, Journal of Iberian and Latin American Studies, Critical Research on Religion and the Journal of Energy History / Revue d'histoire de l'énergie (JEHRHE). He has also participated as a guest lecturer in the 2022-2023 academic year in the MSc Sustainability, Energy and Development taught at the Durham Energy Institute (Durham University). His interest focuses on...
Belén Romero

International PhD in Art History from the University of Valencia. Member of the National System of Researchers, CONACYT, Mexico. She has worked as a researcher in the Art History Department of this university (2010-2014), doing research stays at the Gender Studies Research Center (CIEG), at UNAM (2012), as well as at the Art & Ecology Program of the University of New Mexico (USA) (2013). She has been a teacher since 2017 of the Master in Cultural Studies and Visual Arts, (Miguel Hernández University, Spain). Member of the FIDEX research group, of the R+D+i “Energy Humanities: Energy and sociocultural imaginaries between the Industrial Revolution and the ecosocial crisis” (Institute of History-CSIC), as well as of the R+D+i “Critical Visualities: cultural ecologies and investigations of the common” (Faculty of Fine Arts, UCM). Member of the Red de Conceptualismos del Sur platform (coordinator of the Critical Ecologies group). Independent curator. Currently, she works as a researcher at the Aesthetic Research Institute of the...
Ramón del Buey

Ramón del Buey Cañas (Madrid, 1993): Predoctoral researcher FPI in the Department of Philosophy at the Universidad Autónoma de Madrid, member of the Philosophical Laboratory on Pandemic and Anthropocene of the Spanish Network of Philosophy and member of the management team of the AMEE (Association of Electroacoustic Music and Sound Art of Spain). Co-organizer of numerous academic events, such as: “Much to add. 2nd Conference on Contemporary Political Philosophy ” (2021), “MCAF seminar: Women, race and class” (2021) or “Conference Capitalist realism, there is no alternative?” (2020).
Alberto Berzosa

Alberto Berzosa holds an European PhD in Art History and Theory. He works in the space where contemporary art, Film studies, political archives and curatorship intersect. He is the author of books such as Cine y sexopolítica (Brumaria, 2020), Homoherejías Fílmicas (Brumaria, 2014) and Cámara en mano contra el franquismo (Al Margen, 2009). He has also curated some exhibitions such as "Madrid Activismos 1968-1982" at La Casa Encendida or "Sexopolíticas del cine marginal. Years 70 and 80" at the Institut Valencià d'Art Modern. He is co-author of the film Memorias de Ultramar (2021). He is currently a member of the project "Aesthetics Fossil" of the Consejo Superior de Investigaciones Cientificas (CSIC).
Allen MacDuffie

Allen MacDuffie received his Ph.D. from Harvard University in 2006. He is the author of Victorian Literature, Energy, and the Ecological Imagination (2014), which won the Sonya Rudikoff Prize from the Northeast Victorian Studies Association (NVSA). He has published articles in Representations, ELH, PMLA, Cultural Critique, and other venues, and his recent essay Charles Darwin and the Victorian Pre-History of Climate Denial won the 2019 Donald Gray Prize for best essay written in the field of Victorian studies.  He currently serves as the co-editor of Texas Studies in Literature and Language (TSLL). 
Jeff Diamanti

Jeff Diamanti is Assistant Professor of Environmental Humanities (Cultural Analysis & Philosophy) at the University of Amsterdam.  His first book, Climate and Capital in the Age of Petroleum: Locating Terminal Landscapes (Bloomsbury 2021) tracks the political and media ecology of fossil fuels across the extractive and logistical spaces that connect remote territories like Greenland to the economies of North America and Western Europe. His new research, Bloom Ecologies details the return to natural philosophy in the marine and atmospheric sciences studying the interactive dynamics of the cryosphere and hydrosphere in the North Atlantic and Arctic Ocean.
Martín Lallana

He is a PhD researcher at the Industrial Ecology Group of the Instituto Universitario de Investigación Mixto CIRCE - Universidad de Zaragoza. He studied the Degree in Industrial Technologies Engineering at Universidad Carlos III de Madrid (2014 - 2019) and the Master's Degree in Renewable Energies and Energy Efficiency at Universidad de Zaragoza (2019 - 2021). He has co-authored the report Metal Recycling. The alternative to mining, elaborated for the Mining Area of Ecologistas en Acción and published in February 2022. This report studied the potential for increasing the recovery of metals needed for the energy transition from the collection and recycling of end-of-life vehicles, batteries and electrical and electronic equipment. He is currently working on the development of his PhD thesis A low energy demand future for Spain in 2050: scenarios and strategies for energy descent.
Miguel Errazu

PhD in Audiovisual Communication from the Universidad Complutense de Madrid, researcher of the National System of Researchers of CONACYT and associate professor in the Department of Art and Humanities of the Universidad Autónoma Metropolitana (Mexico). He has carried out research stays at Oxford Brookes University (UK), the Instituto de Investigaciones Estéticas of the UNAM and the UAM-Lerma. He is currently preparing the book Márgenes de maniobra. Cine político y prácticas artísticas en México en los años setenta, where he explores the Mexican visual culture of the sixties and seventies from a review of militant cinema and its connections with other artistic practices. He is co-editor, together with Alberto Berzosa, of "Súper 8 contra el grano", Secuencias. Revista de Historia del Cine, no. 55 (2022).
Bárbara Fluxa

Multidisciplinary artist, PhD in Fine Arts from the Complutense University of Madrid, and researcher and teacher at the Faculty of Fine Arts of the UCM. She is currently a research member of the Research Group “Artistic Practices and New Forms of Knowledge” of the Faculty of Fine Arts of the UCM; and of the R&D Project: “Interactions of Art in the Technosphere” of the Spanish Ministry of Science, Innovation and Universities (HAR2017-86608-P). She is a specialist in new strategies and contemporary artistic practices around the environmental systemic crisis and the current debates about humanity, technology and nature. His work aims to make visible the Western instrumentalization of nature space and proposes a new landscape imaginary for the Anthropocene era in which we live. His proposals, mostly produced through a multidisciplinary artistic language, have a certain investigative aesthetic halfway between art and science. He has an intense artistic career through his participation in numerous solo and group exhibitions, as well as...
Ernest García

Ernest Garcia (Alacant, 1948). Professor emeritus of the University of Valencia, where he has been professor of sociology, director of the Department of Sociology and Social Anthropology, dean of the Faculty of Social Sciences and coordinator of ESDESOST (research group in Sustainability Studies). He is the author of El trampolí fàustic: Ciència, mite i poder en el desenvolupament sostenible (1995); Medio ambiente y sociedad: La civilización industrial y los límites del planeta (2004); Transitioning to a Post-Carbon Society: Degrowth, Austerity and Wellbeing (2017); Ecología e igualdad: Hacia una relectura de la teoría sociológica en un planeta que se ha quedado pequeño (2021). He has been a member of the coordination committee of the network on Environment and Society of the European Sociological Association and president of the Associació Valenciana de Sociologia.
Luis González Reyes

Luis González Reyes (Madrid, 1974) works on issues related to environmentalism, economics and pedagogy. As an activist, he is a member of Ecologistas en Acción, where he was confederal coordinator for nine years. He is a partner of Garúa S. Coop. Mad., which is dedicated to facilitating ecosocial transitions by promoting concrete practices, training, researching and accompanying processes. In this field, he is a regular collaborator of several universities. He also works at FUHEM, where he is the coordinator of ecosocial education. This encompasses multiple tasks, including the development of a curriculum with an ecosocial approach for all stages and teaching materials, in addition to coordinating ecological and healthy school canteens. Finally, he actively participates in several fair and resilient experiences such as Entrepatios (housing), El Arenero (parenting) and Las Carolinas (food). He is the author or co-author of about twenty books on different facets of social ecologism. Among them are En la espiral de la energía and Educar para...
Carmen Madorrán

Carmen Madorrán Ayerra (Pamplona, 1989) holds a PhD in Philosophy. She has a Master's degree in Bioethics and Law (UB, 2019) and another in Philosophical Criticism and Argumentation (UAM, 2012). She works as a lecturer in the Department of Philosophy at the Universidad Autónoma de Madrid. She is a member of the Asociación Foro Transiciones, the editorial board of the journal Papeles de relaciones ecosociales y cambio global, the research groups “Transdisciplinary on socio-ecological transitions ” and “Genealogies of Contemporary Thought”. She is director of the UAM-Demospaz School, is a member of the Board of the University Institute for Human Rights, Culture of Peace and Nonviolence (Demospaz) and of the Chair in Education for Social Justice. Her main lines of research have to do with contemporary political and moral reflection in the context of the ecosocial crisis.
Carmen Marín

Graduate and Doctor in Fine Arts (2015), Graduate in Biological Sciences (1984) from the UPV/EHU and Master in Environmental Education (UNED, 1992), she has been developing her professional and research work in the fields of environmental education and artistic creation and research. Since 2017 she has been a lecturer in Sculpture at the Faculty of Fine Arts of the University of the Basque Country/ Euskal Herriko Unibertsitatea. Her research in the academic field focuses on the study of artistic strategies in contemporary art in relation to the ecological transition, having authored and co-authored articles, book chapters, various studies and published catalogues, and having taken part in more than 30 art exhibitions. She has participated as a researcher in the R+D+I project entitled: "Environmental Humanities", within the National Programme for research, development and innovation oriented to the challenges of society (MINECO/FEDER UE 2015-2018). Since 2018, she has been coordinating the UPV-EHU project entitled "ARTEKOM: Art and Communication for the Energy Transition",...
Pablo Martínez

Pablo Martínez is a researcher and educator. His lines of research include educational work with the body, institutional imagination, as well as research on the capacity of images in the production of political subjectivity. In the last decade his institutional work has explored the various possibilities of an ecosocialist museum: from the creation of a vegetable garden on the terrace of the CA2M of the Community of Madrid to opening a kitchen in the MACBA and establishing a permanent working group around food sovereignty, agroecology and popular veganism, as well as introducing into the museum the debates on the end of fossil fuels and the production of imaginaries of fossilist modernity. He has worked as Head of Programs at MACBA between 2016 and 2021. He was part of the academic direction of the PEI Independent Study Program of MACBA (editions 2017-18, 2019-20 and 2021-22 not realized). He has been Head of Education and Public Activities at CA2M (2009-2016) and associate...
Santiago Morilla Chinchilla

Multidisciplinary artist, PhD in Contemporary Art (UCM, Complutense University of Madrid) and specialised in New Media Art (Media Lab at University of Art and Design Helsinki, UIAH, Finland), researcher and lecturer at UCM Faculty of Fine Arts. He is currently part of the research groups "Practicas artísticas y nuevas formas de conocimiento " (id UCM: 588) and "Urban Art and Technosphere" associated with the Master in “Creative Approaches to Public Space” (University of Rennes 2, France) . His art practice –with such diverse media as photography, video, digital mapping, installations and situated performances – investigates the contemporary relationships between aesthetics, politics and cultural ecology, considering questions related to the processes of environmental decline and multispecies coexistence. He designs actions, experiences and interfaces that facilitate interaction and participatory co-production between humans and non-humans (mainly plants, but also animals, bike-machines or algorithms in symbiotic relationship). His situated approach pursues the critical production of a common space of coexistence, where it would be...
Coco Moya

Coco Moya (Gijón, 1982) is an artist and musician. She develops part of her artistic practice together with Iván Cebrián at Menhir, an art and music collective. Her research focuses on the relationship between territory and sound/music from the perspective of the material. She wonders how technology, culture, nature and the material are related to the landscape through the metaphor of sound and touch. The territory, crossed by telluric energies, and inhabited by cyborg amalgams, forms a polyphonic writing that can be interpreted, through rhythms and melismas that touches places and puts them in contact. She is currently doing her doctoral thesis on Sound Geomancy, tutored by Blanca Fernández-Quesada and Jaime Munárriz at the UCM, where she also completed the MIAC Master's in Art and Research in 2015. She is a professor of Sound Landscape at the Faculty of Fine Arts TAI Arts, and has given lectures in various forums such as CA2M, the Faculty of Philosophy of the UCM,...
José María Parreño

He is professor of Art History at the Faculty of Fine Arts (UCM) as well as the Diploma of Specialization in Sustainability, Ecological Ethics and Environmental Education (UPV). He is linked to several academic projects that study and promote artistic practices committed to the ecosocial crisis. Specifically, he has been a member of the Research Projects "Art and ecology: strategies for the protection of the natural environment and recovery of degraded territories" (2011-2014), "Environmental humanities. Strategies for ecological empathy and transition towards sustainable societies" (2016-19) and "Ecological humanities and ecosocial transitions. Ethical, aesthetic and pedagogical proposals for the Anthropocene". He leads the Complutense Research Group "Climatologies of the planet and consciousness. Art and climate change". He is a member of the Ibero-American Network of Research in Environmental Humanities (RIHUA). he has written critical texts in catalogs of artists working in or with the natural environment: Adolfo Schlosser, Eva Lootz, Fernando Casás, Lucía Loren and Andy Goldsworthy. He has curated exhibitions...
Alejandro Pedregal

Independent researcher, he has been part of the Fossil Aesthetics project of the Art History and Visual Culture Research Group of the Institute of History of the Spanish National Research Council (CSIC), lecturer at the University-Wide Art Studies (UWAS) of the Aalto University (Finland), and Postdoctoral and Visiting Researcher at the Department of Film, Television and Scenography of the same institution, Department from which he also obtained his Doctor degree. He has published the books Evelia: testimonio de Guerrero (Foca/Akal, 2018) and Mientras los hombres conquere el Luna y D vueltas alrededor del Tierra: Rodolfo Walsh, el pastor de Guerrero (Foca/Akal, 2018). He has published the books Evelia: testimonio de Guerrero (Foca/Akal, 2018) and Mientras los hombres conquistaban la Luna y daban vueltas alrededor de la Tierra: Rodolfo Walsh, el pastor de Girón (Patria Grande, 2017), and, as co-editor with Emilio Recanatini, La esperanza insobornable: Rodolfo Walsh en la memoria (Patria Grande, 2017), in addition to chapters and articles in indexed publications such as Alphaville, Re-visiones, Kamchatka, Rab-Rab: Journal of...
Julia Ramírez Blanco

Researcher and lecturer at the University of Barcelona. Historian and art critic, she specialises in the relationship between art, utopia and social change. She is the author of the books 15M. El tiempo de las plazas (Madrid, Alianza, 2021) and Artistic Utopias of Revolt: Claremont Road, Reclaim the Streets, the City of Sol (New York and London, Palgrave, 2018). She has edited the book Pequeño bestiario de monstruos políticos (CENDEAC, 2020), as well as a monographic issue of REGAC Journal dedicated to non-textual utopias (2018), with texts by TJ Demos, Rachel Weiss, Timothy Miller and Oliver Ressler. In France, she co-curated the exhibition "Grande Révolution Domestique" on feminist utopias at the Familistère de Guise. She collaborates regularly with the Museum of Contemporary Art MACBA, where she has directed the course "Utopian Nineties", as well as in a research group on the collection (2017-2020). She has held a fellowship at the Royal Academy in Rome. She has lectured at institutions such...
Rocío Robles

She has been part of the team of the “Rethinking Guernica” project of the Reina Sofia Museum in its first phase (2017) and enjoyed a Research Fellowship in the Exhibitions Department of the Reina Sofia Museum (2012-2014). Co-curated the exhibition “Guernica Documentary Fund”, within the exhibition “Pity and terror in Picasso: the road to Guernica” (Museo Reina Sofia, 2017), co-curated the traveling exhibition “Picasso. Guernica's travels” (Obra Social de la Fundación la "Caixa and Museo Reina Sofía, 2017-present) and member of the curatorial team of the exhibition “Encounters with the 1930s” (Museo Reina Sofía, 2012). Author of several books and articles, highlights include Informe Guernica. Sobre el lienzo de Picasso y su imagen (Ediciones Asimétricas, 2019), the texts in 50 Obras Maestras 1900-1950 Colección (IVAM, 2019), as well as her participation in the publication that accompanied the exhibition “Fernand Léger and the modern life” (IVAM, 2019), in the book Los viajes de Guernica (Museo Reina Sofía, 2019), in the catalog...
Jorge Yeregui

As an architect, his work investigates the cultural dimension of the environment in those places where the confluence of multiple realities - social, environmental, political or economic - gives them a marked symbolic as well as testimonial value. The relationship between architecture and the environment or the influence of markets on urban growth are some of his themes of interest. "Un repertorio improbable" (2021), "Deshacer, borrar, activar" (2020), "Sobre el derecho a la ciudad" (2019), "Acta de replanteo" (2017-2016) and "Inventario" (2015) are some of his most important solo exhibitions. He has also participated in numerous group exhibitions, including the Ibero-American Biennial of Architecture and Urbanism held in Medellín.