The militant cinema of Santiago Vilanova, best known for his work as a journalist and anti-nuclear activist, contributes to repairing some of the silences and veils present in the critical visualisations of the transition in Spain. This first post deals specifically with the interest aroused in his generation by the Carnation Revolution in Portugal.
Appeared in Rinconete, 12 September 2019
ISSN: 1885-500
Click here to access the text
