CTXT, 1 de junio de 2020
What would a critique of the scale of museums and cultural institutions that settle our geography consist of? How would they fit in with the decrecentist perspectives that various voices are demanding for the post-pandemic future? What would be the convivial bicycle that could inspire another speed threshold for cultural life? What dimensions and functions make a museum difficult to reconcile with this ideal of conviviality? These are some of the questions posed by this article.
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